Stephanie Gonzalez-Turner


tmospheric Dread

By watching many turn-of-the-21st-century J Horror classics (namely The Ring, Audition, The Grudge and Kairo) and their subsequent Hollywood remakes, in her essay published in our print issue, Stephanie Gonzalez-Turner focuses on two divergent approaches to pacing and scene sequencing in suspense narratives, analyzing the formal qualities and symbiotic relationship of the originals and the remakes.